Peep Show ist Rad

The marriage of Sam Bain and Jesse Armstrong to David Mitchell and Robert Webb bore wünderfruit by the name of Peep Show. The oblong Mitchell was perfectly cast as the anxious and cynical Mark Corrigan, and Webb admirably portrays the arrogant and deluded Jeremy Osbourne. Whereas the ‘odd couple’ dynamic of the fastidious conservative paired with the slovenly liberal is older than television, Peep Show is nonetheless a breath of fresh air to all those in their 20s and 30s who pine for intelligent comedy. Fawlty Towers belonged to our parents, but this latest batch of Cambridge Footlights belong to us.

For all those who posses a basic distrust of modernity and feel detached from contemporary youth culture, we have as our banner carrier one Mark Corrigan. While his depressed and lonely existence, habitual lying, and paralyzing fear of women is not to to be emulated, such lines as “She’s dragging me into the 20th century, with its meaningless logos and ironic veneration of tyrants” and “your lazy cynicism and sneering ironic take on the world encapsulates everything wrong with your generation” speak to what many of us think about kids today. Jeremy (Jez) represents the worst of those kids, and his unbelievable stupidity, good looks, and success with women, make him all the more loathsome and yet enviable as well.

Peep Show is an English comedy, and in ways not limited to geography. It is vicious, unfriendly, embarrassing, greedy, and any trace of warmth is noticeably and decidedly absent. This continues a tradition predating Monty Python, where the intense classism and fear of embarrassment inherent in English society not only informed the day to day lives of people, but provided grist for the comedy mill as well. Peep Show is archetypal in that respect, where the filth and unwelcome parts of humanity are brought to the fore so as to be poked fun at and laid bare – without a life lesson to be found.

Peep Show is the greatest situation comedy to date.

Robin Lindsay


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